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The Brazilian critic and curator André Leal addresses in his article ¿Qué es el desierto? – Dos catástrofes y un Refugio (y una refutación) the artistic process of the Argentinian artists Mauro Rosas and Fabián Urban in a determined area of the Patagonian Desert. By conducting a series of ‘scientific investigations’ in a determined area, the artists sought to undermine the idea of the desert as an empty region as it is usually characterized. Thus, the artistic result of the process addresses several political and culturally sensible themes that often disregard the desert populations in general, ‘decolonizing’ sciences and cultural constructions regarded to deserts in general.
André Leal is graduated in Architecture and Urbanism by the University of São Paulo and has a Master degree in Visual Arts by the Federal University of Rio de Janeiro with the research ‘Space-body, environment-experience: Hélio Oiticica and Gordon Matta-Clark – genealogies of the ‘contemporary’’. He is professor of Visual Arts at Candido Mendes University and independent critic and curator, having published texts in several academic and independent magazines. His doctoral investigation will address the relations between art and urban landscape through the production of several Brazilian and international artists.
We are delighted to announce the authors of the selected contributions!
Starting in September we will release in our newsletter and website texts, pictures and poems of the finalists. In late 2018 the selected contributions will be published in form of a printed book together with texts of guest authors.
Nessrine Abbassi (TN); Camilla Boemio (IT); Cristina Fiordimela & Freddy Paul Grunert (IT/DE); Stephanie Gervais (US); André Leal (BR); Sage Lewis(US); Judy Ling Wong (UK); Mauro Rosas & Fernando Sánchez & Fabian Urban (AR); Naz Shahrokh (US); Everensel Ürüm (TR); Marina Velez (ES)
Here we present the documentary of the edition 2017 of the artist residency Barda del Desierto in Patagonia.
Maria Rebecca is talking here in perfect Spanish about her experience and of her work.
Have a look!
a delightful evening with Barda Del Desierto residency artists: Carmen Vicente (Peru); Celeste Rojas Mugica (Chile), Federico Gloriani (Argentina); Leo Ayres (Brazil); Natalí Tubenchlak (Brazil); Nina Bacun (Croatia), Rodrigo Alcon Quintanilha (Argentina); Mauro Rosas and Fabián Urban (Argentina)
Starting my project “Imaginary Atlas” with the local community for the residence program Barda del Desierto. A special thanks to Albinia Elena Villalba for hospitality, for the delicious “churrasca patagonica”, thè mate and for telling me in the interview so interesting stories!
Celebrating Gauchito Gil with dance and food.
That’s the Gauchito Gil legend: Guacito Gill a legendary character of Argentina’s popular culture. The legend tells that Antonio Gil was born in the 1840s as a farmworker in a ranch and a devout believer in the folk saint San La Muerte. It is said that the owner of the ranch, a wealthy widow named Estrella Diaz Miraflores, fell in love, or had an affair, with him, but when her brothers and the head of the local police (who was also in love with Miraflores) found out about their relationship, they accused him of robbery and tried to kill him. He enlisted in the army to escape from them, fighting against the Paraguayan army. When the war ended, he returned home and was welcomed as a hero.
But when he arrived at his village, he was forcibly recruited by the Colorados to return to the army and fight in the Argentine Civil War against the Liberal parties. After he tired of fighting, he decided to desert and became an outlaw. In the years following his desertion, he acquired a reputation as a Robin Hood figure, for his efforts to protect and help the needy, the poor, and those who suffered in extreme poverty. Many locals stated that “Gauchito” Gil had miraculous healing powers and the ability of hypnosis, and that he was apparently immune to bullets.
On January 8, 1878, the local police, led by Colonel Velázquez, caught him hiding in a forest after a party and took him about 8 kilometers away from Mercedes. There, they tortured him over a fire and hanged him from his feet on an algarrobo tree, preparing to execute him. When the police sergeant was about to kill him, “Gauchito” Gil said to him: “You are going to kill me now, but you will arrive in Mercedes tonight at the same time as a letter of my pardon. In the letter they will also tell you that your son is dying of a strange illness. If you pray and beg me to save your child, I promise you that he will live. If not, he will die.” The sergeant laughed at this, and responded, “I don’t care,” and killed “Gauchito” Gil by slitting his throat. When the sergeant returned to his village, he found a soldier there with a letter of pardon for “Gauchito” Gil. The letter also said that the sergeant’s son was very ill and on the brink of dying. Frightened, the sergeant prayed to “Gauchito” Gil for his son to be saved. The next day, his son was inexplicably cured, though legend has it that “Gauchito” Gil had healed the son of his murderer. Very grateful, the sergeant gave Gil’s body a proper burial, and in his honor built a shrine in the form of a red cross. Moreover, he tried to let everybody know about the miracle.